| Issue | Title | |
| Volume 1 - Fall 2009 | Looking to the Margins: The �Outsider Within� Journalistic Fiction | Abstract PDF |
| Amanda Rossie | ||
| Volume 1 - Fall 2009 | Moral Dilemmas of an Immoral Nation: Gender, Sexuality, and Journalism in Page 3 | Abstract PDF |
| Radhika Parameswaran | ||
| Volume 8 - Fall 2018 - Spring 2020 | Mr. Capra Goes to Mumbai: Class, Caste and Karma in Indian Remakes of Frank Capra's Films | Abstract PDF |
| Richard Ness | ||
| Volume 3 - Fall 2011 - Spring 2012 | Mysterious Public Relations: A Work in Progress About PR Practitioners in Mystery Novels | Abstract PDF |
| Karen Miller Russell | ||
| Volume 2 - Fall 2010 | N Is for News: The Image of the Journalist on Sesame Street | Abstract PDF |
| Ashley Ragovin | ||
| Volume 7 - Spring 2016 - Spring 2018 | No Longer Seeking "Truth, Justice and the American Way": Journalists and the Press in Comic Books and Contemporary Film Adaptations | Abstract PDF |
| Katherine A Foss | ||
| Volume 1 - Fall 2009 | On the Front Line: Portrayals of War Correspondents in Marvel Comics� Civil War: Front Line | Abstract PDF |
| J. Richard Stevens | ||
| Volume 5 - Fall 2013 - Spring 2014 | Passionate and Powerful: Film Depictions of Women Journalists Working in Washington, D.C. | Abstract PDF |
| Sammye Johnson | ||
| Volume 3 - Fall 2011 - Spring 2012 | Popular Culture's Image of the PR Image Consultant: The Celebrity in Crisis | Abstract PDF |
| Carol Ames | ||
| Volume 5 - Fall 2013 - Spring 2014 | Pseudo Newsgathering: Analyzing Journalists� Use of Pseudo-events on The Wire | Abstract PDF |
| Patrick Ferrucci, Chad Painter | ||
| Volume 2 - Fall 2010 | Queer Eye for the PR Guy in American Films 1937-2009 | Abstract PDF |
| Carol Ames | ||
| Volume 10 - Fall 2021 - Fall 2022 | Real to Reel: The Image of the Sports Journalist in Film | Abstract |
| Daniel T. Durbin | ||
| Volume 9 - Fall 2020 - Spring 2021 | Response from Bonnie Brennen: The Image of the Journalist in Popular Culture of the Future | Abstract |
| Bonnie Brennen | ||
| Volume 9 - Fall 2020 - Spring 2021 | Response from Henry Jenkins: Two Scenarios for the Image of the Journalist in Popular Culture in a Post-Journalistic Era | Abstract |
| Henry Jenkins | ||
| Volume 9 - Fall 2020 - Spring 2021 | Response from Maurine Beasley: The Image of the Journalist in Popular Culture of the Future | Abstract |
| Maurine Beasley | ||
| Volume 9 - Fall 2020 - Spring 2021 | Response from Paulette Kilmer: Who Chooses the Stories That Shape Our Destiny? | Abstract |
| Paulette D. Kilmer | ||
| Volume 1 - Fall 2009 | Studying the Journalist in Popular Culture | Abstract PDF |
| Matthew C. Ehrlich | ||
| Volume 10 - Fall 2021 - Fall 2022 | Symbols of Hope, Affirmation, and Perseverance - A Semiotics Analysis of Journalist, Harry Kingsley, from The Disney Classic Movie, "Iron Will" | Abstract |
| James L. Cartee III | ||
| Volume 9 - Fall 2020 - Spring 2021 | The 21st Century Image of the Journalist in Hallmark Films, 2000-2020 | Abstract |
| Joe Saltzman | ||
| Volume 10 - Fall 2021 - Fall 2022 | The Black Radical Sports Writing Tradition: Challenging the Ontological Impossibility of the Black Sports Journalist | Abstract |
| Ben Carrington | ||
| Volume 9 - Fall 2020 - Spring 2021 | The Image of the Journalist in Popular Culture in the 21st Century | Abstract |
| Howard Good | ||
| Volume 7 - Spring 2016 - Spring 2018 | The Image of the Journalist in Silent Film, 1890 to 1929. Part One: 1890 to 1919. Appendices One to Eleven | Abstract XML |
| Joe Saltzman, Liz Mitchell, Anita Gao, Jennifer Glimpse, Charles M. Weisenberg, Howard Gingold | ||
| Volume 8 - Fall 2018 - Spring 2020 | The Image of the Journalist in Silent Film, 1890 to 1929. Part Two: 1920 to 1929. Appendices Twelve to Twenty-One | Abstract |
| Joe Saltzman | ||
| Volume 7 - Spring 2016 - Spring 2018 | The Image of the Journalist in Silent Films, 1890 to 1929. Part One: 1890 to 1919 (Revised 1-2-2020) | Abstract XML |
| Joe Saltzman, Liz Mitchell | ||
| Volume 3 - Fall 2011 - Spring 2012 | The Image of the Public Relations Practitioner in Movies and Television, 1901-2011 | Abstract PDF |
| Joe Saltzman | ||
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